Macbeth - William Shakespeare
Summary Macbeth, a valiant Scottish general, receives a prophecy from three witches that he will become King of Scotland. His ambitious wif...
Summary
Macbeth, a valiant Scottish general, receives a prophecy from three witches that he will become King of Scotland. His ambitious wife, Lady Macbeth, persuades him to murder the current king, Duncan, to fulfill the prophecy. Consumed by guilt and paranoia, Macbeth then embarks on a tyrannical reign, ordering the murders of Banquo (his fellow general and the witches' prophecy foretold his descendants would be kings) and Macduff's family. The couple is plagued by guilt, with Lady Macbeth eventually dying from madness. A rebellion led by Malcolm (Duncan's son) and Macduff, supported by English forces, confronts Macbeth. The witches' prophecies are revealed to have deceptive interpretations: Birnam Wood "moves" to Dunsinane when soldiers carry branches, and Macduff, "untimely ripped" from his mother's womb, is able to kill Macbeth, restoring order to Scotland.
Book Sections
Section 1
The play opens amidst a storm with three Witches gathering. They prophesy their next meeting will be with Macbeth. Shortly after, King Duncan of Scotland learns of the brave deeds of his generals, Macbeth and Banquo, in suppressing a rebellion led by Macdonwald and an invasion by the King of Norway and the Thane of Cawdor. Duncan rewards Macbeth, making him the new Thane of Cawdor.
As Macbeth and Banquo return from battle, they encounter the Witches on a heath. The Witches greet Macbeth as "Thane of Glamis" (which he already is), "Thane of Cawdor" (which he has just been made, though he doesn't know it yet), and "King hereafter." They also prophesy that Banquo will be lesser than Macbeth but greater, not as happy yet much happier, and that his descendants, though not he, will be kings. The Witches vanish, leaving Macbeth and Banquo bewildered.
Ross and Angus arrive to inform Macbeth that he has been made Thane of Cawdor. This immediate partial fulfillment of the prophecy deeply affects Macbeth. He begins to contemplate the possibility of becoming king, initially hoping it will happen without his intervention.
Macbeth writes to his wife, Lady Macbeth, informing her of the prophecies. Lady Macbeth, even more ambitious and ruthless than her husband, immediately resolves that Duncan must be murdered for Macbeth to ascend the throne. She fears Macbeth's nature is "too full o' th' milk of human kindness" to take the necessary steps. When Duncan announces he will be staying at Macbeth's castle, Lady Macbeth sees this as the perfect opportunity. She calls upon dark spirits to "unsex" her and fill her with cruelty. Macbeth arrives, and she pressures him to take action, advising him to appear innocent while harboring a murderous plot.
| Character | Characteristics | Motivations |
|---|---|---|
| Macbeth | Valiant soldier, ambitious, susceptible to suggestion, initially hesitant. | Desire for power, belief in destiny (due to prophecies), influenced by his wife. |
| Lady Macbeth | Ambitious, ruthless, manipulative, strong-willed, dominant. | Desire for power and status for her husband (and by extension, herself), believes Macbeth needs her ruthlessness to achieve his destiny. |
| Duncan | Good and benevolent king, trusting, poor judge of character (e.g., old Cawdor). | To reward loyal service, maintain peace, demonstrate royal grace. |
| Banquo | Loyal soldier, cautious, skeptical of the Witches but curious about them. | Loyalty to the king, concern for Macbeth's moral well-being, personal ambition for his lineage as prophesied. |
| Three Witches | Supernatural beings, cryptic, mischievous, agents of chaos and temptation. | To sow discord, tempt humans, revel in mischief and suffering. |
| Malcolm | Duncan's elder son, Prince of Cumberland (heir to the throne). | Loyalty to his father, future claim to the throne. |
| Donalbain | Duncan's younger son. | Loyalty to his father, future claim to the throne. |
| Ross | A Scottish nobleman, loyal to Duncan. | Loyalty, delivering news. |
| Angus | A Scottish nobleman. | Loyalty, delivering news. |
Section 2
King Duncan and his retinue arrive at Macbeth's castle, Inverness. Lady Macbeth greets them warmly, playing the perfect hostess. Duncan expresses his pleasure and gratitude.
That evening, Macbeth wrestles with his conscience. He lists reasons not to kill Duncan: Duncan is his kinsman, his guest, and a good king whose murder would provoke outrage. His only motivation is "vaulting ambition." Lady Macbeth finds him and scorns his wavering, questioning his manhood and reminding him of his pledge. She outlines a detailed plan: they will get Duncan's two chamberlains drunk, then use their daggers to murder Duncan in his sleep, smearing the chamberlains with blood to frame them. Macbeth, swayed by her ferocity and the cleverness of the plan, agrees to proceed.
Later that night, as Macbeth makes his way to Duncan's chamber, he hallucinates a bloody dagger floating before him, pointing the way. This vision signifies his descent into madness and the irreversible nature of his decision. He hears a bell, Lady Macbeth's signal that the guards are asleep, and goes to commit the murder.
Lady Macbeth waits anxiously. Macbeth returns, distraught and covered in blood, clutching the daggers. He is tormented by what he has done, hearing voices that cry "Sleep no more! Macbeth does murder sleep." He is unable to return the daggers to frame the guards. Lady Macbeth takes charge, scolding him for his weakness, taking the daggers herself, and smearing the sleeping guards with Duncan's blood. She returns with bloody hands but a firm resolve, telling Macbeth that "a little water clears us of this deed."
The porter answers a loud knocking at the castle gate, providing a moment of dark comic relief. Macduff and Lennox have arrived early in the morning, as Duncan had commanded them. Macduff goes to awaken the King and returns screaming, having discovered Duncan's body. The castle is thrown into chaos. Macbeth feigns shock and rage, claiming he killed the guards in a fit of righteous fury for their supposed crime. Lady Macbeth faints, possibly to distract from Macbeth's overacting. Malcolm and Donalbain, fearing for their own lives and suspecting treachery, decide to flee – Malcolm to England and Donalbain to Ireland. Their hasty departure, ironically, makes them appear guilty to the other lords.
The nobles, including Banquo, Macduff, and Lennox, gather. They discuss the unnatural events accompanying Duncan's death: horses eating each other, an owl killing a falcon, and the sun refusing to shine. Ross converses with an Old Man, reflecting on the unnaturalness of the times. Macduff reveals that Macbeth has been named King and has gone to Scone for his coronation. Macduff, however, decides to go to Fife instead of the coronation, indicating his immediate suspicion.
| Character | Characteristics | Motivations |
|---|---|---|
| Macduff | Nobleman, Thane of Fife, loyal to Duncan, intuitive, suspicious of Macbeth. | Loyalty to the rightful king, seeks justice, later driven by revenge. |
| Lennox | Scottish nobleman, observant, initially loyal to Macbeth but grows suspicious. | Upholding order, serves the king, later becomes part of the rebellion. |
| Porter | Gatekeeper, drunken, provides comic relief, speaks of hell's gate. | Performing his duty, perhaps reflecting on the "hell" within the castle. |
| Old Man | Represents natural order and ancient wisdom, comments on the unnaturalness of events. | To provide commentary on the disruption of the natural world following Duncan's murder, reinforcing themes of chaos and divine punishment. |
Section 3
Now king, Macbeth grows increasingly paranoid. He recalls the Witches' prophecy that Banquo's descendants would be kings and sees Banquo as a threat to his newly gained power. He feels that he has "filed my mind" and committed a heinous act only for Banquo's children to inherit the throne. He decides that Banquo and his son, Fleance, must be eliminated.
Macbeth arranges a royal banquet and subtly interrogates Banquo about his travel plans, ensuring he knows where Banquo will be. He then hires two murderers (later joined by a third, of unknown origin, often speculated to be Macbeth himself or another of his agents) to ambush Banquo and Fleance on their ride back to the castle.
The murderers attack Banquo and Fleance. Banquo is killed, but Fleance manages to escape, fulfilling part of the Witches' prophecy and leaving open the possibility of Banquo's line still coming to the throne, intensifying Macbeth's fear.
At the banquet, Macbeth attempts to appear a gracious host, but when the first murderer reports Banquo's death and Fleance's escape, Macbeth is visibly shaken. His paranoia reaches its peak when he sees Banquo's ghost sitting in his seat at the table. Only Macbeth can see the ghost, leading the other lords to believe he is suffering from a fit of madness. Lady Macbeth tries to cover for him, explaining away his erratic behavior as a recurring illness. She privately rebukes him for his weakness and visions. The ghost reappears and disappears, further disturbing Macbeth and alarming his guests. The banquet ultimately breaks up in disorder, and the lords grow increasingly suspicious of their new king.
Macbeth, now completely consumed by his guilt and fear, decides he must seek out the Witches again to learn more about his future. He expresses his determination to continue his bloody course of action, stating, "I am in blood / Stepped in so far that, should I wade no more, / Returning were as tedious as go o'er."
Meanwhile, Hecate, the queen of the Witches, appears and scolds the three Witches for dealing with Macbeth without her involvement. She plans to use her magic to ensure Macbeth's ultimate downfall by creating illusions that will give him a false sense of security.
Lennox and another Lord discuss the recent events. Lennox speaks sarcastically of Macbeth's "pious" actions and expresses his deep suspicion of Macbeth's role in Duncan's and Banquo's deaths. They reveal that Macduff has fled to England to join Malcolm and seek aid from King Edward and the English forces to liberate Scotland from Macbeth's tyranny.
| Character | Characteristics | Motivations |
|---|---|---|
| Fleance | Banquo's son, manages to escape the murderers. | Survival, his escape preserves the possibility of his lineage fulfilling the Witches' prophecy. |
| Hecate | Queen of the Witches, more powerful and authoritative, focuses on Macbeth's ultimate destruction through deception. | To exert control, punish the Witches for acting without her, ensure Macbeth's downfall. |
| Murderers | Hired assassins, desperate or loyal to Macbeth, carry out his orders. | Financial gain, fear of Macbeth, blind obedience. |
Section 4
Macbeth, desperate for reassurance, revisits the Witches in their cavern. They summon apparitions to answer his questions.
The first apparition is an Armed Head, which warns Macbeth to "Beware Macduff; Beware the Thane of Fife."
The second apparition is a Bloody Child, which tells him that "None of woman born / Shall harm Macbeth." This prophecy makes Macbeth feel invincible, believing no one can truly threaten him.
The third apparition is a Crowned Child holding a tree, which states that Macbeth "shall never vanquished be until / Great Birnam Wood to high Dunsinane Hill / Shall come against him." Macbeth interprets this literally, believing it impossible for a forest to move, thus reinforcing his sense of security.
Macbeth then demands to know if Banquo's descendants will ever reign. The Witches show him a procession of eight kings, followed by Banquo's ghost, all resembling Banquo, confirming that his line will indeed inherit the throne. This vision enrages Macbeth, who feels he has been mocked.
Lennox arrives to inform Macbeth that Macduff has fled to England. Furious at Macduff's defiance and seeking to eradicate any potential threats, Macbeth orders the immediate slaughter of Macduff's entire family – his wife, children, and servants – in Fife. This brutal act is a turning point, showcasing Macbeth's complete descent into ruthless tyranny and abandoning any semblance of humanity.
The scene shifts to England, where Malcolm tests Macduff's loyalty. Malcolm pretends to be a far worse tyrant than Macbeth, listing various vices to see if Macduff's patriotism is genuine. Macduff despairs for Scotland's future, lamenting that if Malcolm is truly so wicked, there is no hope. Satisfied with Macduff's genuine grief and loyalty, Malcolm reveals his deception and states that he is, in fact, virtuous and ready to lead an army, provided by the English King Edward, to overthrow Macbeth.
Ross arrives from Scotland and reluctantly delivers the devastating news to Macduff: his wife and children have been brutally murdered. Macduff is overcome with grief and vows revenge. Malcolm urges him to turn his sorrow into anger and use it to fuel their fight against Macbeth. They resolve to return to Scotland and face the tyrant.
Section 5
The action returns to Dunsinane Castle, where Lady Macbeth's guilt has driven her to madness. A Doctor and a Gentlewoman observe her sleepwalking. In her disturbed state, she reenacts the murders and tries to wash imaginary blood from her hands, uttering lines like "Out, damned spot! Out, I say!" and revealing details of Duncan's and Banquo's murders, as well as Macduff's family. Her once strong and ruthless mind has crumbled under the weight of her sins.
Meanwhile, the Scottish lords, including Lennox, Angus, Caithness, and Menteith, gather to join the advancing English army led by Malcolm and Macduff. They are disgusted by Macbeth's tyrannical rule and describe him as a madman who wears his "kingly robes" loosely.
Macbeth, isolated and increasingly desperate in Dunsinane Castle, receives reports of the approaching army. He recalls the Witches' prophecies, clinging to the belief that he cannot be harmed by any "man of woman born" or until Birnam Wood moves. He rails against his servants, exhibiting immense anger and fear. His loyal attendant, Seyton, confirms Lady Macbeth's death (it's implied she commits suicide, though not explicitly stated). Macbeth reacts with a chilling soliloquy, "Tomorrow, and tomorrow, and tomorrow," reflecting on the futility and meaninglessness of life, seeing it as "a tale / Told by an idiot, full of sound and fury, / Signifying nothing."
A messenger reports that Birnam Wood appears to be moving towards Dunsinane. Malcolm's army, on Macduff's suggestion, has cut down branches from Birnam Wood to camouflage their numbers as they march, thus fulfilling the third prophecy in a deceptively literal way. Macbeth, realizing the Witches' equivocation, is filled with dread but remains defiant, choosing to fight to the death.
The battle begins. Young Siward, the son of the English general, confronts Macbeth but is killed. Macbeth gloats that he cannot be harmed by anyone "of woman born."
Macduff finally confronts Macbeth. Macbeth boasts of the prophecy that no man born of woman can defeat him. Macduff then reveals his terrible truth: he was "from his mother's womb / Untimely ripped" (a Caesarean birth), meaning he was not "born" in the natural way. Macbeth is horrified, realizing the Witches' trickery and that his end is near. Despite this, he refuses to yield or kneel before Malcolm.
They fight. Macduff kills Macbeth and returns with Macbeth's severed head.
Malcolm is hailed as the new King of Scotland. He promises to restore order, reward his loyal Thanes, and call home those who fled Macbeth's tyranny. The play ends with the re-establishment of moral order and the hope of a peaceful future for Scotland.
| Character | Characteristics | Motivations |
|---|---|---|
| Seyton | Macbeth's loyal servant/aide, stands by him until the end. | Loyalty to his master, even in defeat. |
| Doctor | Observes Lady Macbeth's sleepwalking and comments on her mental state, unable to cure her. | Professional duty, concern for Lady Macbeth, understanding of psychological torment. |
| Gentlewoman | Lady Macbeth's attendant, witness to her sleepwalking confessions. | Loyalty to her mistress, concern for her well-being, duty to report what she sees. |
| Young Siward | Son of Siward (Earl of Northumberland), brave but young English soldier. | Loyalty to Malcolm, courage in battle, desire to defeat Macbeth. |
| Siward | English General, Malcolm's uncle, provides military aid. | Loyalty to Malcolm, desire to restore rightful order, vengeance for the crimes against Scotland. |
| Caithness, Menteith | Scottish noblemen who join the rebellion against Macbeth. | Loyalty to Scotland, desire to overthrow tyranny, restore rightful king. |
Literary Genre
Tragedy.
Author Information
William Shakespeare (baptized April 26, 1564 – died April 23, 1616) was an English playwright, poet, and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon." His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright.
Morals of the Book
- The Corrupting Nature of Ambition: The primary moral is how unchecked ambition can lead to moral decay, tyranny, and ultimately, self-destruction. Macbeth's desire for power, fueled by prophecy and his wife, drives him to commit increasingly heinous acts.
- Guilt and Consequence: The play vividly illustrates the psychological torment that follows terrible deeds. Both Macbeth and Lady Macbeth are driven to madness and death by their guilt, showing that external success cannot compensate for internal damnation.
- The Deceptive Nature of Evil: The Witches' prophecies, while seemingly beneficial, are ultimately equivocal and lead Macbeth to his doom. Evil often presents itself in alluring forms but leads to destruction.
- The Cycle of Violence: Macbeth's initial murder of Duncan sets off a chain reaction of violence, as he must commit more murders to cover his tracks and secure his power, demonstrating that violence begets violence.
- The Restoration of Order: Despite the chaos and bloodshed, the play ends with the defeat of the tyrant and the restoration of a rightful, moral order, suggesting that justice will eventually prevail.
Curiosities of the Book
- The "Scottish Play" Curse: It is widely believed in theatrical circles that 'Macbeth' is cursed, and actors often avoid saying its name aloud, referring to it instead as "the Scottish Play." Various misfortunes, accidents, and even deaths have been associated with productions of the play over centuries. Many superstitions surround it, such as spinning three times, spitting, and reciting a line from a different Shakespeare play if the name is accidentally uttered.
- Real Historical Figures: The play is based loosely on historical figures and events from Scottish history, particularly Holinshed's Chronicles. There was a real King Macbeth who ruled Scotland from 1040 to 1057, and he did kill his predecessor, King Duncan. However, Shakespeare took significant artistic liberties, dramatizing and altering many details for dramatic effect. The historical Macbeth was a generally successful and popular king, not the tyrannical figure portrayed by Shakespeare.
- Shortest Tragedy: 'Macbeth' is Shakespeare's shortest tragedy, possibly due to later cuts or its intended brevity for specific performances. It is concise and moves at a relentless, almost breathless pace.
- Witches and King James I: The Witches scenes were likely influenced by King James I's keen interest in witchcraft, demonology, and the supernatural. James I had even written a book on the subject, "Daemonologie." The Witches' prophecies about Banquo's lineage were also a nod to James I, who traced his ancestry back to the historical Banquo.
- Lady Macbeth's Ambition: Lady Macbeth is often considered one of Shakespeare's most powerful and terrifying female characters, particularly for her ruthless ambition and her willingness to defy traditional gender roles by taking on a more masculine, dominant role in the murder plot. Her eventual descent into madness is a stark portrayal of guilt's psychological toll.
